<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-8870431</id><updated>2011-04-21T14:36:37.762-04:00</updated><title type='text'>Mental Travels</title><subtitle type='html'>Where an avid reader and movie-lover logs the books, films, and other media she absorbs. Where she also comments on them from time to time. Mainly, though, long lists and links and other masturbatory material detailing my mental travels.</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://mentaltravels.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8870431/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://mentaltravels.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>Julie</name><uri>http://www.blogger.com/profile/08380925780520061821</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>5</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-8870431.post-112221468579547227</id><published>2005-07-24T09:50:00.000-04:00</published><updated>2005-07-24T10:18:07.523-04:00</updated><title type='text'>Family Party</title><content type='html'>The family party turned out fine. I got to spend time talking to all the people I really like, and the people that I worry are going to drop guilt-bombs on me ("why don't you call your dad? What's the matter with you ungrateful kids?") didn't drop them. In fact, who even knows if those people are thinking that? It could all be my own projection.&lt;br /&gt;&lt;br /&gt;This party was much bigger than previous years; I bet there were 50-60 people there. The party is for my paternal grandfather and his siblings' families. My grandfather has 4 kids and 6 grandchildren. His brother has an even smaller brood: 2 children and 2 grandchildren. His sister, however, had a bigger number of kids....and this is the part of the family I'm most distant from, so I can't give you numbers. Let's say 6 kids, although her family didn't have a lot of kids from that point on. Her number of grandchildren is small, although they seem to want to give her a gigantic number of great-grandchildren.&lt;br /&gt;&lt;br /&gt;It's a not small but not big group. Two interesting dynamic I was observing with my aunts: &lt;br /&gt;&lt;br /&gt;1.) On my grandfather's sister's side, the grandchildren (i.e., my generation) have already become prolific in their childbearing, but we've got nothing going on on our side. Of course, in observing this, one has to look directly at me, as I'm the 35-year-old oldest grandchild, and the next one in line is only 27, and I should have started shooting out the kiddies a long time ago. The 27 year old and I both wrinkled up our noses at the thought that we should be childbearing to please our families.&lt;br /&gt;&lt;br /&gt;I have to wonder if something cultural is going on. Are people in their 20s and 30s dividing strongly into two camps--those who really want to have kids and those who really don't care so much about it? And if that divide is happening (and I do see it among my friends; people are either feeling rah-rah-rah I really want to have babies or they are feeling "oh well, I don't feel the need much"), why?&lt;br /&gt;&lt;br /&gt;2.) At the same time, there are a lot of couples in the family--particularly in the child generation (i.e., my parents/aunts/uncle's generation)--who did not have children. I'm even more curious about this dynamic: is it cultural or is it evidence of increased biological difficulty in pregnancy? Can I look to my family for evidence of other people who have had the same problems I'm having? Or a trend of problems, at least? Or did a lot of people in my family just decide not to have kids? If it was just a decision, does our family makeup reflect other average (urban) family makeups right now?&lt;br /&gt;&lt;br /&gt;My aunt, such a smarty-pants, made great observations. On the comparing our family to other families (in order, especially, to answer the cultural vs. environmental/biological issue), she suggested the real test would be looking at a similar rural family. Traditional farming families are big, and cultural change might come more slowly there. If there are a lot of childless couples in those families, it might be a biological change. If there aren't, then perhaps we are seeing a cultural shift.&lt;br /&gt;&lt;br /&gt;My aunt, a lawyer now but previously a science teacher and a veterinarian wannabe, also suggested that as populations of animals get larger, they naturally shut down childbearing. We may be seeing the results of a large population. Same-sex pairings increase when a population of animals is high (what an interesting fact!), as do biological issues that make reproduction impossible. Our family may just be an example of nature doing her work in a crowded environment of humans.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8870431-112221468579547227?l=mentaltravels.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://mentaltravels.blogspot.com/feeds/112221468579547227/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8870431&amp;postID=112221468579547227' title='3 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8870431/posts/default/112221468579547227'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8870431/posts/default/112221468579547227'/><link rel='alternate' type='text/html' href='http://mentaltravels.blogspot.com/2005/07/family-party.html' title='Family Party'/><author><name>Julie</name><uri>http://www.blogger.com/profile/08380925780520061821</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>3</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8870431.post-110495969576053789</id><published>2005-01-05T15:59:00.000-05:00</published><updated>2005-08-02T09:38:36.913-04:00</updated><title type='text'>Best Films of 2004</title><content type='html'>Here's a list of the people I care about's opinions on the best films of 2004--and whether I have seen them.&lt;br /&gt;&lt;br /&gt;If I've seen them, they are in &lt;strong&gt;BOLD&lt;/strong&gt;.&lt;br /&gt;If I plan to see them, they have a star (*) after them.&lt;br /&gt;If I don't want to see them, they have NWDY ("No way, no day") after them.&lt;br /&gt;&lt;br /&gt;[Updated August 2005]&lt;br /&gt;&lt;p&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;&lt;em&gt;Martin Bandyke's Top 10 Films 2004 (WDET – Detroit)&lt;/em&gt;&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;/p&gt;&lt;ol&gt;&lt;li&gt;&lt;strong&gt;Million Dollar Baby&lt;/strong&gt;&lt;br /&gt;&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Sideways&lt;/strong&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;&lt;strong&gt;Kinsey&lt;/strong&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Before Sunset*&lt;/li&gt;&lt;br /&gt;&lt;li&gt;&lt;strong&gt;Eternal Sunshine of the Spotless Mind&lt;/strong&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;&lt;strong&gt;Finding Neverland&lt;/strong&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Ray&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Strayed&lt;/li&gt;&lt;br /&gt;&lt;li&gt;&lt;strong&gt;I Heart Huckabees&lt;/strong&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Beyond the Sea&lt;br /&gt;&lt;/li&gt;&lt;/ol&gt;&lt;p&gt;&lt;em&gt;&lt;span style="font-size:130%;"&gt;&lt;strong&gt;Terry Lawson's Top 10 films of 2004 (Detroit Free Press)&lt;/strong&gt;&lt;br /&gt;&lt;/span&gt;&lt;/em&gt;&lt;strong&gt;Closer&lt;/strong&gt;&lt;br /&gt;Infernal Affairs&lt;br /&gt;&lt;strong&gt;Kinsey&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Million Dollar Baby&lt;/strong&gt;&lt;br /&gt;The Motorcycle Diaries (NWND)&lt;br /&gt;The Sea Inside&lt;br /&gt;&lt;strong&gt;Sideways&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Spartan&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Spider-Man 2&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Vera Drake&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;&lt;em&gt;Roger Ebert’s Top 10 films of 2004&lt;/em&gt;&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;1. &lt;strong&gt;Million Dollar Baby&lt;/strong&gt;&lt;br /&gt;2. &lt;strong&gt;Kill Bill, Volume 2&lt;/strong&gt;&lt;br /&gt;3. &lt;strong&gt;Vera Drake&lt;/strong&gt;&lt;br /&gt;4. &lt;strong&gt;Spider-Man 2&lt;/strong&gt;&lt;br /&gt;5. Moolaade&lt;br /&gt;6. &lt;strong&gt;The Aviator&lt;br /&gt;&lt;/strong&gt;7. Baadasssss!&lt;br /&gt;8.&lt;strong&gt; Sideways&lt;/strong&gt;&lt;br /&gt;9. Hotel Rwanda*&lt;br /&gt;10. Undertow&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;&lt;em&gt;Roger Ebert’s Special Jury Awards&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;/strong&gt;The Assassination of Richard Nixon&lt;br /&gt;&lt;strong&gt;Closer&lt;/strong&gt;&lt;br /&gt;The Dreamers*&lt;br /&gt;House of Flying Daggers&lt;br /&gt;&lt;strong&gt;Kinsey&lt;br /&gt;The Merchant of Venice&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;The Passion of the Christ&lt;/strong&gt;&lt;br /&gt;The Polar Express&lt;br /&gt;Ray&lt;br /&gt;&lt;strong&gt;The Saddest Music in the World&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Sky Captain and the World of Tomorrow&lt;/strong&gt;&lt;br /&gt;The Terminal (NWND)&lt;br /&gt;Touching the Void*&lt;br /&gt;Twilight Samurai&lt;br /&gt;When Will I Be Loved&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;&lt;em&gt;Roger Ebert’s Best Documentaries&lt;/em&gt;&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;--The Agronomist by Jonathan Demme is about the life and death of Jean Dominique, a courageous Haitian reformer who continued to broadcast attacks on corruption over his radio station, despite death threats that eventually came true.&lt;br /&gt;--&lt;strong&gt;Aileen: Life and Death of a Serial Killer&lt;/strong&gt; by Nick Broomfield and Joan Churchill&lt;br /&gt;--&lt;strong&gt;Fahrenheit 9/11&lt;/strong&gt;&lt;br /&gt;--My Architect by Nathaniel Kahn is about his relationship (or lack of one) with his father, the architect Louis I. Kahn, who built wonderful buildings while leading an untidy and deceptive private life; he secretly supported three families at the same time.&lt;br /&gt;--Riding Giants is Stacy Peralta's extraordinary doc about the world of obsessive championship surfing, with archival footage showing each generation of surfers out-daring the last in their quest for near-suicidal challenges. Unlike the inane surf's up docs of the past, this one suggests the sport's dark and deadly undertow.&lt;br /&gt;--Tarnation&lt;strong&gt;*&lt;/strong&gt; is Jonathan Caouette's autobiographical memory of a boy growing up gay and dealing with a mother whose mental health was destroyed by shock treatments. The film was excellent on any terms, and all the more remarkable since it was made for $218 on a borrowed Macintosh and won an invitation to Cannes.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:130%;"&gt;&lt;strong&gt;&lt;em&gt;EBERT'S WORST FILMS OF 2004&lt;br /&gt;&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;1. (tie) Troy&lt;br /&gt;1. (tie) Alexander&lt;br /&gt;2. Christmas With the Kranks&lt;br /&gt;3. The Girl Next Door&lt;br /&gt;4. &lt;strong&gt;Dogville&lt;/strong&gt;&lt;br /&gt;5. New York Minute&lt;br /&gt;6. &lt;strong&gt;The Grudge&lt;/strong&gt;&lt;br /&gt;7. White Chicks&lt;br /&gt;8. Resident Evil: Apocalypse&lt;br /&gt;9. The Whole Ten Yards&lt;br /&gt;10. &lt;strong&gt;The Village &lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;&lt;em&gt;David Sterritt Top Ten – 2004 (Christian Science Monitor)&lt;/em&gt;&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;The Assassination of Richard Nixon&lt;br /&gt;&lt;strong&gt;Dogville&lt;br /&gt;Eternal Sunshine of the Spotless Mind&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Fahrenheit 9/11&lt;br /&gt;&lt;/strong&gt;In the Realms of the Unreal&lt;br /&gt;&lt;strong&gt;The Life Aquatic with Steve Zissou&lt;br /&gt;Million Dollar Baby&lt;/strong&gt;&lt;br /&gt;Notre Musique&lt;br /&gt;&lt;strong&gt;The Saddest Music in the World&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Sideways&lt;/strong&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;&lt;span style="font-size:180%;"&gt;&lt;em&gt;SUMMARY&lt;/em&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;I need to see the following films:&lt;/p&gt;&lt;p&gt;&lt;strong&gt;Million Dollar Baby*&lt;br /&gt;Sideways*&lt;br /&gt;Kinsey*&lt;/strong&gt;&lt;br /&gt;Before Sunset*&lt;br /&gt;&lt;strong&gt;Finding Neverland*&lt;br /&gt;I Heart Huckabees*&lt;br /&gt;Closer*&lt;br /&gt;Vera Drake*&lt;br /&gt;The Aviator*&lt;/strong&gt;&lt;br /&gt;Hotel Rwanda*&lt;br /&gt;The Dreamers*&lt;br /&gt;&lt;strong&gt;The Merchant of Venice*&lt;br /&gt;Sky Captain and the World of Tomorrow*&lt;/strong&gt;&lt;br /&gt;Touching the Void*&lt;br /&gt;&lt;strong&gt;The Life Aquatic with Steve Zissou*&lt;/strong&gt;&lt;br /&gt;Tarnation*&lt;/p&gt;&lt;p&gt;&lt;strong&gt;&lt;em&gt;And what the heck are these movies? I haven't heard of them:&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Strayed&lt;br /&gt;Beyond the Sea&lt;br /&gt;Infernal Affairs&lt;br /&gt;The Sea Inside&lt;br /&gt;&lt;strong&gt;Spartan&lt;/strong&gt;&lt;br /&gt;Moolaade&lt;br /&gt;Undertow&lt;br /&gt;Twilight Samurai&lt;br /&gt;When Will I Be Loved&lt;br /&gt;In the Realms of the Unreal &lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8870431-110495969576053789?l=mentaltravels.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://mentaltravels.blogspot.com/feeds/110495969576053789/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8870431&amp;postID=110495969576053789' title='3 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8870431/posts/default/110495969576053789'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8870431/posts/default/110495969576053789'/><link rel='alternate' type='text/html' href='http://mentaltravels.blogspot.com/2005/01/best-films-of-2004.html' title='Best Films of 2004'/><author><name>Julie</name><uri>http://www.blogger.com/profile/08380925780520061821</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>3</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8870431.post-109988372886124096</id><published>2004-11-07T22:11:00.000-05:00</published><updated>2004-11-07T22:15:28.860-05:00</updated><title type='text'>Books</title><content type='html'>Wow, I didn't think my 20th century lit reading was so terrible. This is embarrassing. I need to find "everyone's faves from the past 20 years"--then I might do okay.&lt;br /&gt;&lt;br /&gt;Things I read in bold.&lt;br /&gt;&lt;br /&gt;Thanks, Jen. We've got some synergy going here!&lt;br /&gt;&lt;br /&gt;Modern Library's Board's Choice of 100 Best Novels of the 20th Century&lt;br /&gt;&lt;br /&gt;1. ULYSSES by James Joyce&lt;br /&gt;2. &lt;b&gt;THE GREAT GATSBY by F. Scott Fitzgerald&lt;/b&gt;&lt;br /&gt;3. A PORTRAIT OF THE ARTIST AS A YOUNG MAN by James Joyce&lt;br /&gt;4. &lt;b&gt;LOLITA by Vladimir Nabokov&lt;/b&gt;&lt;br /&gt;5. BRAVE NEW WORLD by Aldous Huxley&lt;br /&gt;6. &lt;b&gt;THE SOUND AND THE FURY by William Faulkner&lt;/b&gt;&lt;br /&gt;7. CATCH-22 by Joseph Heller&lt;br /&gt;8. DARKNESS AT NOON by Arthur Koestler&lt;br /&gt;9. SONS AND LOVERS by D.H. Lawrence&lt;br /&gt;10. THE GRAPES OF WRATH by John Steinbeck&lt;br /&gt;11. UNDER THE VOLCANO by Malcolm Lowry&lt;br /&gt;12. THE WAY OF ALL FLESH by Samuel Butler&lt;br /&gt;13. &lt;b&gt;1984 by George Orwell&lt;/b&gt;&lt;br /&gt;14. I, CLAUDIUS by Robert Graves&lt;br /&gt;15. &lt;b&gt;TO THE LIGHTHOUSE by Virginia Woolf&lt;/b&gt;&lt;br /&gt;16. AN AMERICAN TRAGEDY by Theodore Dreiser&lt;br /&gt;17. THE HEART IS A LONELY HUNTER by Carson McCullers&lt;br /&gt;18. SLAUGHTERHOUSE-FIVE by Kurt Vonnegut&lt;br /&gt;19. &lt;b&gt;INVISIBLE MAN by Ralph Ellison&lt;/b&gt;&lt;br /&gt;20. &lt;b&gt;NATIVE SON by Richard Wright&lt;/b&gt;&lt;br /&gt;21. HENDERSON THE RAIN KING by Saul Bellow&lt;br /&gt;22. APPOINTMENT IN SAMARRA by John O'Hara&lt;br /&gt;23. U.S.A. (trilogy) by John Dos Passos&lt;br /&gt;24. WINESBURG, OHIO by Sherwood Anderson&lt;br /&gt;25. A PASSAGE TO INDIA by E.M. Forster&lt;br /&gt;26. THE WINGS OF THE DOVE by Henry James&lt;br /&gt;27. THE AMBASSADORS by Henry James&lt;br /&gt;28. TENDER IS THE NIGHT by F. Scott Fitzgerald&lt;br /&gt;29. THE STUDS LONIGAN TRILOGY by James T. Farrell&lt;br /&gt;30. THE GOOD SOLDIER by Ford Madox Ford&lt;br /&gt;31. ANIMAL FARM by George Orwell&lt;br /&gt;32. THE GOLDEN BOWL by Henry James&lt;br /&gt;33. SISTER CARRIE by Theodore Dreiser&lt;br /&gt;34. A HANDFUL OF DUST by Evelyn Waugh&lt;br /&gt;35. AS I LAY DYING by William Faulkner&lt;br /&gt;36. ALL THE KING'S MEN by Robert Penn Warren&lt;br /&gt;37. THE BRIDGE OF SAN LUIS REY by Thornton Wilder&lt;br /&gt;38. HOWARDS END by E.M. Forster&lt;br /&gt;39. GO TELL IT ON THE MOUNTAIN by James Baldwin&lt;br /&gt;40. THE HEART OF THE MATTER by Graham Greene&lt;br /&gt;41. &lt;b&gt;LORD OF THE FLIES by William Golding&lt;/b&gt;&lt;br /&gt;42. DELIVERANCE by James Dickey&lt;br /&gt;43. A DANCE TO THE MUSIC OF TIME (series) by Anthony Powell&lt;br /&gt;44. POINT COUNTER POINT by Aldous Huxley&lt;br /&gt;45. THE SUN ALSO RISES by Ernest Hemingway&lt;br /&gt;46. THE SECRET AGENT by Joseph Conrad&lt;br /&gt;47. NOSTROMO by Joseph Conrad&lt;br /&gt;48. THE RAINBOW by D.H. Lawrence&lt;br /&gt;49. WOMEN IN LOVE by D.H. Lawrence&lt;br /&gt;50. TROPIC OF CANCER by Henry Miller&lt;br /&gt;51. THE NAKED AND THE DEAD by Norman Mailer&lt;br /&gt;52. PORTNOY'S COMPLAINT by Philip Roth&lt;br /&gt;53. PALE FIRE by Vladimir Nabokov&lt;br /&gt;54. LIGHT IN AUGUST by William Faulkner&lt;br /&gt;55. &lt;b&gt;ON THE ROAD by Jack Kerouac&lt;/b&gt;&lt;br /&gt;56. THE MALTESE FALCON by Dashiell Hammett&lt;br /&gt;57. PARADE'S END by Ford Madox Ford&lt;br /&gt;58. THE AGE OF INNOCENCE by Edith Wharton&lt;br /&gt;59. ZULEIKA DOBSON by Max Beerbohm&lt;br /&gt;60. THE MOVIEGOER by Walker Percy&lt;br /&gt;61. DEATH COMES FOR THE ARCHBISHOP by Willa Cather&lt;br /&gt;62. FROM HERE TO ETERNITY by James Jones&lt;br /&gt;63. THE WAPSHOT CHRONICLES by John Cheever&lt;br /&gt;64. &lt;b&gt;THE CATCHER IN THE RYE by J.D. Salinger&lt;/b&gt;&lt;br /&gt;65. &lt;b&gt;A CLOCKWORK ORANGE by Anthony Burgess&lt;/b&gt;&lt;br /&gt;66. OF HUMAN BONDAGE by W. Somerset Maugham&lt;br /&gt;67. &lt;b&gt;HEART OF DARKNESS by Joseph Conrad&lt;/b&gt;&lt;br /&gt;68. MAIN STREET by Sinclair Lewis&lt;br /&gt;69. THE HOUSE OF MIRTH by Edith Wharton&lt;br /&gt;70. THE ALEXANDRIA QUARTET by Lawrence Durell&lt;br /&gt;71. A HIGH WIND IN JAMAICA by Richard Hughes&lt;br /&gt;72. A HOUSE FOR MR BISWAS by V.S. Naipaul&lt;br /&gt;73. THE DAY OF THE LOCUST by Nathanael West&lt;br /&gt;74. A FAREWELL TO ARMS by Ernest Hemingway&lt;br /&gt;75. SCOOP by Evelyn Waugh&lt;br /&gt;76. THE PRIME OF MISS JEAN BRODIE by Muriel Spark&lt;br /&gt;77. FINNEGANS WAKE by James Joyce&lt;br /&gt;78. KIM by Rudyard Kipling&lt;br /&gt;79. A ROOM WITH A VIEW by E.M. Forster&lt;br /&gt;80. BRIDESHEAD REVISITED by Evelyn Waugh&lt;br /&gt;81. THE ADVENTURES OF AUGIE MARCH by Saul Bellow&lt;br /&gt;82. ANGLE OF REPOSE by Wallace Stegner&lt;br /&gt;83. A BEND IN THE RIVER by V.S. Naipaul&lt;br /&gt;84. THE DEATH OF THE HEART by Elizabeth Bowen&lt;br /&gt;85. LORD JIM by Joseph Conrad&lt;br /&gt;86. &lt;b&gt;RAGTIME by E.L. Doctorow&lt;/b&gt;&lt;br /&gt;87. THE OLD WIVES' TALE by Arnold Bennett&lt;br /&gt;88. THE CALL OF THE WILD by Jack London&lt;br /&gt;89. LOVING by Henry Green&lt;br /&gt;90. MIDNIGHT'S CHILDREN by Salman Rushdie&lt;br /&gt;91. TOBACCO ROAD by Erskine Caldwell&lt;br /&gt;92. &lt;b&gt;IRONWEED by William Kennedy&lt;/b&gt;&lt;br /&gt;93. THE MAGUS by John Fowles&lt;br /&gt;94. WIDE SARGASSO SEA by Jean Rhys&lt;br /&gt;95. UNDER THE NET by Iris Murdoch&lt;br /&gt;96. SOPHIE'S CHOICE by William Styron&lt;br /&gt;97. THE SHELTERING SKY by Paul Bowles&lt;br /&gt;98. THE POSTMAN ALWAYS RINGS TWICE by James M. Cain&lt;br /&gt;99. THE GINGER MAN by J.P. Donleavy&lt;br /&gt;100. THE MAGNIFICENT AMBERSONS by Booth Tarkington&lt;br /&gt;&lt;br /&gt;Reader's Choice of the 100 Best Novels of the 20th Century (What's up with "Uncle Fred in the Springtime"--I think it's on the list three times. Note I read it NONE of those times.)&lt;br /&gt;&lt;br /&gt;1. ATLAS SHRUGGED by Ayn Rand&lt;br /&gt;2. DUNE by Frank Herbert&lt;br /&gt;3. UNCLE FRED IN THE SPRINGTIME by P.G. Wodehouse&lt;br /&gt;4. &lt;b&gt;THE CATCHER IN THE RYE by J.D. Salinger&lt;/b&gt;&lt;br /&gt;5. &lt;b&gt;THE LORD OF THE RINGS by J.R.R. Tolkien&lt;/b&gt;&lt;br /&gt;6. A CONFEDERACY OF DUNCES by John Kennedy Toole&lt;br /&gt;7. THE FOUNTAINHEAD by Ayn Rand&lt;br /&gt;8. &lt;b&gt;THE PRINCE OF TIDES by Pat Conroy&lt;/b&gt;&lt;br /&gt;9. GRAVITY'S RAINBOW by Thomas Pynchon&lt;br /&gt;10. &lt;b&gt;TO KILL A MOCKINGBIRD by Harper Lee&lt;/b&gt;&lt;br /&gt;11. &lt;b&gt;ENDER'S GAME by Orson Scott Card&lt;/b&gt;&lt;br /&gt;12. &lt;b&gt;THE STAND by Stephen King&lt;/b&gt;&lt;br /&gt;13. ULYSSES by James Joyce&lt;br /&gt;14. CATCH-22 by Joseph Heller&lt;br /&gt;15. HITCHHIKER'S GUIDE TO THE GALAXY by Douglas Adams&lt;br /&gt;16. &lt;b&gt;STRANGER IN A STRANGE LAND by Robert Heinlein&lt;/b&gt;&lt;br /&gt;17. ANTHEM by Ayn Rand&lt;br /&gt;18. DOG OF THE SOUTH by Charles Portis&lt;br /&gt;19. AND TRAIL MIX RAINED FROM THE SKY by Philip Travisano&lt;br /&gt;20. &lt;b&gt;A WRINKLE IN TIME by Madeleine LEngle&lt;/b&gt;&lt;br /&gt;21. THE RECOGNITIONS by William Gaddis&lt;br /&gt;22. &lt;b&gt;THE GREAT GATSBY by F. Scott Fitzgerald&lt;/b&gt;&lt;br /&gt;23. BEACH MUSIC by Pat Conroy&lt;br /&gt;24. TRADER by Charles de Lint&lt;br /&gt;25. &lt;b&gt;BELOVED by Toni Morrison&lt;/b&gt;&lt;br /&gt;26. &lt;b&gt;A PRAYER FOR OWEN MEANY by John Irving&lt;/b&gt;&lt;br /&gt;27. WE THE LIVING by Ayn Rand&lt;br /&gt;28. &lt;b&gt;THE SOUND AND THE FURY by William Faulkner&lt;/b&gt;&lt;br /&gt;29. WISE BLOOD by Flannery OConnor&lt;br /&gt;30. THE ROAD AND THE HILLS by Alison Spedding&lt;br /&gt;31. &lt;b&gt;1984 by George Orwell&lt;/b&gt;&lt;br /&gt;32. &lt;b&gt;ZEN AND THE ART OF MOTORCYCLE MAINTENANCE by Robert Pirsig&lt;/b&gt;&lt;br /&gt;33. &lt;b&gt;LOLITA by Vladimir Nobokov&lt;/b&gt;&lt;br /&gt;34. WATERSHIP DOWN by Richard Adams&lt;br /&gt;35. MOONHEART by Charles de Lint&lt;br /&gt;36. BATTLEFIELD EARTH by L. Ron Hubbard&lt;br /&gt;37. YARROW by Charles de Lint&lt;br /&gt;38. VALIS by Philip K. Dick&lt;br /&gt;39. THE SOURCE by James Michener&lt;br /&gt;40. FINNEGANS WAKE by James Joyce&lt;br /&gt;41. THE GRAPES OF WRATH by John Steinbeck&lt;br /&gt;42. SOMEPLACE TO BE FLYING by Charles de Lint&lt;br /&gt;43. SLAUGHTERHOUSE-FIVE by Kurt Vonnegut&lt;br /&gt;44. BRAVE NEW WORLD by Aldous Huxley&lt;br /&gt;45. &lt;b&gt;ON THE ROAD by Jack Kerouac&lt;/b&gt;&lt;br /&gt;46. FLETCH by Gregory MacDonald&lt;br /&gt;47. &lt;b&gt;GONE WITH THE WIND by Margaret Mitchell&lt;/b&gt;&lt;br /&gt;48. NORWOOD by Charles Portis&lt;br /&gt;49. LONESOME DOVE by Larry McMurtry&lt;br /&gt;50. UNCLE FRED IN THE SPRINGTIME by P. G. Wodehouse&lt;br /&gt;51. &lt;b&gt;A CLOCKWORK ORANGE by Anthony Burgess&lt;/b&gt;&lt;br /&gt;52. GAUDY NIGHT by Dorothy L. Sayers&lt;br /&gt;53. ABSALOM, ABSALOM! by William Faulkner&lt;br /&gt;54. THE SUN ALSO RISES by Ernest Hemingway&lt;br /&gt;55. &lt;b&gt;INVISIBLE MAN by Ralph Ellison&lt;/b&gt;&lt;br /&gt;56. &lt;b&gt;THE HAUNTING OF HILL HOUSE by Shirley Jackson&lt;/b&gt;&lt;br /&gt;57. BLOOD MERIDIAN by Cormac McCarthy&lt;br /&gt;58. UNCLE FRED IN THE SPRINGTIME by P G Wodehouse&lt;br /&gt;59. THE KILLER ANGELS by Michael Shaara&lt;br /&gt;60. NAKED LUNCH by William S. Burroughs&lt;br /&gt;61. &lt;b&gt;WHITE NOISE by Don Delillo&lt;/b&gt;&lt;br /&gt;62. I HEARD THE OWL CALL MY NAME by Margaret Craven&lt;br /&gt;63. TEK LORDS by William Shatner&lt;br /&gt;64. THE MOVIEGOER by Walker Percy&lt;br /&gt;65. FLASHMAN by George MacDonald Fraser&lt;br /&gt;66. BRIDGE OF BIRDS by Barry Hughart&lt;br /&gt;67. THE GATES by Chuck Wachtel&lt;br /&gt;68. &lt;b&gt;TO THE LIGHTHOUSE by Virginia Woolf&lt;/b&gt;&lt;br /&gt;69. FIFTH BUSINESS by Robertson Davies&lt;br /&gt;70. &lt;b&gt;THEIR EYES WERE WATCHING GOD by Zora Neal Hurston&lt;/b&gt;&lt;br /&gt;71. &lt;b&gt;HEART OF DARKNESS by Joseph Conrad&lt;/b&gt;&lt;br /&gt;72. OF HUMAN BONDAGE by W. Somerset Maughm&lt;br /&gt;73. &lt;b&gt;SONG OF SOLOMON by Toni&lt;/b&gt;&lt;br /&gt;74. CAT'S CRADLE by Kurt Vonnegut&lt;br /&gt;75. ALL THE PRETTY HORSES by Cormac McCarthy&lt;br /&gt;76. A PORTRAIT OF THE ARTIST AS A YOUNG MAN by James Joyce&lt;br /&gt;77. &lt;b&gt;OF MICE AND MEN by John Steinbeck&lt;/b&gt;&lt;br /&gt;78. NINETY-THREE by Victor Hugo&lt;br /&gt;79. ANIMAL FARM by George Orwell&lt;br /&gt;80. &lt;b&gt;THE HANDMAID'S TALE by Margaret Atwood&lt;/b&gt;&lt;br /&gt;81. THE LEFT HAND OF DARKNESS by Ursula K. LeGuinn&lt;br /&gt;82. UNDER THE VOLCANO by Malcolm Lowry&lt;br /&gt;83. &lt;b&gt;THE COLOR PURPLE by Alice Walker&lt;/b&gt;&lt;br /&gt;84. PALE FIRE by Vladimir Nabokov&lt;br /&gt;85. THE HEART IS A LONELY HUNTER by Carson McCullers&lt;br /&gt;86. GEEK LOVE by Katherine Dunn&lt;br /&gt;87. &lt;b&gt;MRS. DALLOWAY by Virginia Woolf&lt;/b&gt;&lt;br /&gt;88. AS I LAY DYING by William Faulkner&lt;br /&gt;89. UNDERWORLD by Don Delillo&lt;br /&gt;90. THE BIG SLEEP by Raymond Chandler&lt;br /&gt;91. &lt;b&gt;THE WORLD ACCORDING TO GARP by John Irving&lt;/b&gt;&lt;br /&gt;92. &lt;b&gt;SOMETHING WICKED THIS WAY by Ray Bradbury&lt;/b&gt;&lt;br /&gt;93. HOWARDS END by E.M. Forster&lt;br /&gt;94. THE AGE OF INNOCENCE by Edith Wharton&lt;br /&gt;95. &lt;b&gt;THE REMAINS OF THE DAY by Kazuo Ishiguru&lt;/b&gt;&lt;br /&gt;96. DARKNESS AT NOON by Arthur Koestler&lt;br /&gt;97. &lt;b&gt;BONFIRE OF THE VANITIES by Tom Wolfe&lt;/b&gt;&lt;br /&gt;98. THE HITCHHIKER'S GUIDE TO THE GALAXY by Douglas Adams&lt;br /&gt;99. &lt;b&gt;THE SHINING by Stephen King&lt;/b&gt;&lt;br /&gt;100. &lt;b&gt;MISERY by Stephen King&lt;/b&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8870431-109988372886124096?l=mentaltravels.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://mentaltravels.blogspot.com/feeds/109988372886124096/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8870431&amp;postID=109988372886124096' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8870431/posts/default/109988372886124096'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8870431/posts/default/109988372886124096'/><link rel='alternate' type='text/html' href='http://mentaltravels.blogspot.com/2004/11/books.html' title='Books'/><author><name>Julie</name><uri>http://www.blogger.com/profile/08380925780520061821</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8870431.post-109871830254207347</id><published>2004-10-25T09:57:00.000-04:00</published><updated>2005-08-02T09:35:09.326-04:00</updated><title type='text'>AFI Top 100</title><content type='html'>Here's the AFI Top 100 Films.&lt;br /&gt;&lt;br /&gt;If I haven't seen it, it has a strike-through.&lt;br /&gt;If it is a particular &lt;strong&gt;favorite&lt;/strong&gt; and/or I think it's &lt;strong&gt;brilliant&lt;/strong&gt;, it is in &lt;strong&gt;bold&lt;/strong&gt;.&lt;br /&gt;&lt;br /&gt;1. &lt;strong&gt;CITIZEN KANE&lt;/strong&gt; (1941)&lt;br /&gt;2. &lt;strong&gt;CASABLANCA&lt;/strong&gt; (1942)&lt;br /&gt;3. THE GODFATHER (1972)&lt;br /&gt;4. GONE WITH THE WIND (1939)&lt;br /&gt;5. LAWRENCE OF ARABIA (1962)&lt;br /&gt;6. THE WIZARD OF OZ (1939)&lt;br /&gt;7. THE GRADUATE (1967)&lt;br /&gt;8. &lt;strong&gt;ON THE WATERFRONT&lt;/strong&gt; (1954)&lt;br /&gt;9. &lt;strong&gt;SCHINDLER'S LIST&lt;/strong&gt; (1993)&lt;br /&gt;10. SINGIN' IN THE RAIN (1952)&lt;br /&gt;11. IT'S A WONDERFUL LIFE (1946)&lt;br /&gt;12. SUNSET BOULEVARD (1950)&lt;br /&gt;13. &lt;s&gt;THE BRIDGE ON THE RIVER KWAI&lt;/s&gt; (1957)&lt;br /&gt;14. SOME LIKE IT HOT (1959)&lt;br /&gt;15. STAR WARS (1977)&lt;br /&gt;16. &lt;s&gt;ALL ABOUT EVE&lt;/s&gt; (1950)&lt;br /&gt;17. &lt;s&gt;THE AFRICAN QUEEN&lt;/s&gt; (1951)&lt;br /&gt;18. &lt;strong&gt;PSYCHO&lt;/strong&gt; (1960)&lt;br /&gt;19. CHINATOWN (1974)&lt;br /&gt;20. ONE FLEW OVER THE CUCKOO'S NEST (1975)&lt;br /&gt;21. &lt;strong&gt;THE GRAPES OF WRATH&lt;/strong&gt; (1940)&lt;br /&gt;22. &lt;s&gt;2001: A SPACE ODYSSEY&lt;/s&gt; (1968)&lt;br /&gt;23. THE MALTESE FALCON (1941)&lt;br /&gt;24. RAGING BULL (1980)&lt;br /&gt;25. E.T. THE EXTRA-TERRESTRIAL (1982)&lt;br /&gt;26. &lt;s&gt;DR. STRANGELOVE&lt;/s&gt; (1964)&lt;br /&gt;27. &lt;strong&gt;BONNIE AND CLYDE&lt;/strong&gt; (1967)&lt;br /&gt;28. APOCALYPSE NOW (1979)&lt;br /&gt;29. MR. SMITH GOES TO WASHINGTON (1939)&lt;br /&gt;30. &lt;s&gt;THE TREASURE OF THE SIERRA MADRE&lt;/s&gt; (1948)&lt;br /&gt;31. ANNIE HALL (1977)&lt;br /&gt;32. THE GODFATHER PART II (1974)&lt;br /&gt;33. &lt;s&gt;HIGH NOON&lt;/s&gt; (1952)&lt;br /&gt;34. TO KILL A MOCKINGBIRD (1962)&lt;br /&gt;35. &lt;s&gt;IT HAPPENED ONE NIGHT&lt;/s&gt; (1934)&lt;br /&gt;36. MIDNIGHT COWBOY (1969)&lt;br /&gt;37. &lt;s&gt;THE BEST YEARS OF OUR LIVES&lt;/s&gt; (1946)&lt;br /&gt;38. &lt;strong&gt;DOUBLE INDEMNITY&lt;/strong&gt; (1944)&lt;br /&gt;39. DOCTOR ZHIVAGO (1965)&lt;br /&gt;40. NORTH BY NORTHWEST (1959)&lt;br /&gt;41. WEST SIDE STORY (1961)&lt;br /&gt;42. &lt;strong&gt;REAR WINDOW&lt;/strong&gt; (1954)&lt;br /&gt;43. KING KONG (1933)&lt;br /&gt;44. THE BIRTH OF A NATION (1915)&lt;br /&gt;45. &lt;strong&gt;A STREETCAR NAMED DESIRE&lt;/strong&gt; (1951)&lt;br /&gt;46. A CLOCKWORK ORANGE (1971)&lt;br /&gt;47. TAXI DRIVER (1976)&lt;br /&gt;48. JAWS (1975)&lt;br /&gt;49. SNOW WHITE AND THE SEVEN DWARFS (1937)&lt;br /&gt;50. BUTCH CASSIDY AND THE SUNDANCE KID (1969)&lt;br /&gt;51. THE PHILADELPHIA STORY (1940)&lt;br /&gt;52. &lt;s&gt;FROM HERE TO ETERNITY&lt;/s&gt; (1953)&lt;br /&gt;53. AMADEUS (1984)&lt;br /&gt;54. &lt;s&gt;ALL QUIET ON THE WESTERN FRONT&lt;/s&gt; (1930)&lt;br /&gt;55. THE SOUND OF MUSIC (1965)&lt;br /&gt;56. &lt;s&gt;M*A*S*H&lt;/s&gt; (1970)&lt;br /&gt;57. THE THIRD MAN (1949)&lt;br /&gt;58. FANTASIA (1940)&lt;br /&gt;59. &lt;strong&gt;REBEL WITHOUT A CAUSE&lt;/strong&gt; (1955)&lt;br /&gt;60. RAIDERS OF THE LOST ARK (1981)&lt;br /&gt;61. VERTIGO (1958)&lt;br /&gt;62. TOOTSIE (1982)&lt;br /&gt;63. STAGECOACH (1939)&lt;br /&gt;64. CLOSE ENCOUNTERS OF THE THIRD KIND (1977)&lt;br /&gt;65. THE SILENCE OF THE LAMBS (1991)&lt;br /&gt;66. &lt;s&gt;NETWORK&lt;/s&gt; (1976)&lt;br /&gt;67. &lt;strong&gt;THE MANCHURIAN CANDIDATE&lt;/strong&gt; (1962)&lt;br /&gt;68. &lt;s&gt;AN AMERICAN IN PARIS&lt;/s&gt; (1951)&lt;br /&gt;69. &lt;s&gt;SHANE&lt;/s&gt; (1953)&lt;br /&gt;70. THE FRENCH CONNECTION (1971)&lt;br /&gt;71. FORREST GUMP (1994)&lt;br /&gt;72. &lt;s&gt;BEN-HUR&lt;/s&gt; (1959)&lt;br /&gt;73. &lt;s&gt;WUTHERING HEIGHTS&lt;/s&gt; (1939)&lt;br /&gt;74. &lt;s&gt;THE GOLD RUSH&lt;/s&gt; (1925)&lt;br /&gt;75. DANCES WITH WOLVES (1990)&lt;br /&gt;76. &lt;s&gt;CITY LIGHTS&lt;/s&gt; (1931)&lt;br /&gt;77. AMERICAN GRAFFITI (1973)&lt;br /&gt;78. ROCKY (1976)&lt;br /&gt;79. &lt;s&gt;THE DEER HUNTER&lt;/s&gt; (1978)&lt;br /&gt;80. THE WILD BUNCH (1969)&lt;br /&gt;81. &lt;s&gt;MODERN TIMES&lt;/s&gt; (1936)&lt;br /&gt;82. GIANT (1956)&lt;br /&gt;83. PLATOON (1986)&lt;br /&gt;84. &lt;strong&gt;FARGO&lt;/strong&gt; (1996)&lt;br /&gt;85. &lt;s&gt;DUCK SOUP&lt;/s&gt; (1933)&lt;br /&gt;86. &lt;s&gt;MUTINY ON THE BOUNTY&lt;/s&gt; (1935)&lt;br /&gt;87. FRANKENSTEIN (1931)&lt;br /&gt;88. EASY RIDER (1969)&lt;br /&gt;89. &lt;s&gt;PATTON&lt;/s&gt; (1970)&lt;br /&gt;90. &lt;s&gt;THE JAZZ SINGER&lt;/s&gt; (1927)&lt;br /&gt;91. MY FAIR LADY (1964)&lt;br /&gt;92. &lt;s&gt;A PLACE IN THE SUN&lt;/s&gt; (1951)&lt;br /&gt;93. &lt;s&gt;THE APARTMENT&lt;/s&gt; (1960)&lt;br /&gt;94. &lt;strong&gt;GOODFELLAS&lt;/strong&gt; (1990)&lt;br /&gt;95. PULP FICTION (1994)&lt;br /&gt;96. THE SEARCHERS (1956)&lt;br /&gt;97. &lt;s&gt;BRINGING UP BABY&lt;/s&gt; (1938)&lt;br /&gt;98. UNFORGIVEN (1992)&lt;br /&gt;99. &lt;s&gt;GUESS WHO'S COMING TO DINNER&lt;/s&gt; (1967)&lt;br /&gt;100. &lt;s&gt;YANKEE DOODLE DANDY&lt;/s&gt; (1942)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8870431-109871830254207347?l=mentaltravels.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://mentaltravels.blogspot.com/feeds/109871830254207347/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8870431&amp;postID=109871830254207347' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8870431/posts/default/109871830254207347'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8870431/posts/default/109871830254207347'/><link rel='alternate' type='text/html' href='http://mentaltravels.blogspot.com/2004/10/afi-top-100.html' title='AFI Top 100'/><author><name>Julie</name><uri>http://www.blogger.com/profile/08380925780520061821</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8870431.post-109871207555141649</id><published>2004-10-25T09:46:00.000-04:00</published><updated>2004-10-25T09:47:55.553-04:00</updated><title type='text'>Mental Travels</title><content type='html'>I decided I wanted to list all the films and books I've consumed--mainly so I can see them in one place, rather than because I want to comment on them. I might comment on them, but the main goal is to see them. I'll have to find something that provides list functionality.&lt;br /&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8870431-109871207555141649?l=mentaltravels.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://mentaltravels.blogspot.com/feeds/109871207555141649/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8870431&amp;postID=109871207555141649' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8870431/posts/default/109871207555141649'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8870431/posts/default/109871207555141649'/><link rel='alternate' type='text/html' href='http://mentaltravels.blogspot.com/2004/10/mental-travels.html' title='Mental Travels'/><author><name>Julie</name><uri>http://www.blogger.com/profile/08380925780520061821</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry></feed>
